Friday, July 2, 2010

2010: The Year in Film: Knight and Day review

Once upon a time, Tom Cruise was the biggest movie star on the planet. Sure, he's dwarfish, he can be a spaz, he's a weirdo scientologist, and he most often resembles a bi-polar manic, but he also can be immensely charming and likable, with an undeniable screen presence. A lot of people have been calling this one Cruise's "comeback", a charge I deny, since I enjoyed "Valkyrie", but if it truly is, one will see that despite the insane scientology nonsense and the leaping about on Oprah and debating Matt Lauer over the fruitlessness of pharmacological treatment, the same charming, funny, talented Tom Cruise is still there. Action comedies, like the three little bears, come in three flavors - too much, too little, just right. If you swing and miss and it turns into just an action movie that takes itself too seriously, you've got a bomb. If you swing and miss and it turns into a silly ass comedy that doesn't do action all that well, you've got a bomb. There's a delicate balance you've got to achieve, where the action scenes have the requisite gravitas but the whole thing is still light and fun rather than stuffy and brooding. Is this movie life-changing? Absolutely not. It's not a work of art that will leave you wringing your hands and pondering life's mysteries over beverages of all sorts. However, what it does provide is good old fashioned entertainment, of an actually enjoyable sort. Where many action-ey flicks bash you over the head with spectacle, explosions and ridiculous effects (make no mistake, this flick has all of them), this one primarily relies on the strength and chemistry of its leads. Tom Cruise is funny, charming, and all too believable as a rogue CIA agent who may or may not be completely out of his gourd. (it actually may be the perfect role for him, minus the whole epic badass thing) Cam Diaz is perfect at doing her thing, good looking, surprisingly ordinary regular chick who's just a little zany - she's basically been doing just that since "There's Something About Mary". Director James Mangold (Walk the Line, 3:10 to Yuma) is one of the more consistent directors in the game today, Peter Sarsgaard and Paul "Eli Sunday" Dano are the other principals, and honestly, I just had a good time with this one.

Our hero, Mr. Cruise, one "Roy Miller" is on the run from the agency, and clearly has something that they want. Along the way, an innocent bystander, June (Diaz) gets swept up in his path of destruction. The madcap plot jumps from exotic locale to exotic locale across basically every type of transport (plane, car, boat, train) as Miller seeks to evade those seeking him, both the Agency and a power-hungry European weapons manufacturer and lead his wards to safety. I honestly was surprised at how much I laughed in this one - Cruise does possibly crazy but very capable very, very well. If the film had relied more on the leads, humor and the obvious chemistry between Cruise and Diaz than completely over the top action scenes, we may well be talking about greatness here. As it is what we have is a fun, charming little movie that is destined to be played ad nauseum on FX in 4 years time. That is in no way a bad thing. Take it for what it is, it's a fun, silly little time, and I'd rather watch Tom Cruise carry a fun, ridiculous action movie than just about anyone else. (Not counting Robert Downey Jr.)

So don't go in expecting too much, see some cool gun battles, some witty dialogue, and a couple of solid little performances, and you'll have 2 hours of solid entertainment. That's certainly more than a lot of movies can say. 6.8/10.


Ignore the use of Muse in the trailer, Cruise can't help it, he's a scientologist.

Wednesday, June 9, 2010

2010: The Year in Film: Get Him to the Greek Review

If you don't know by now, I'm a big fan of the Judd Apatow family of movies. 40 Year Old Virgin, Superbad, Knocked Up, Funny People, Pineapple Express, Forgetting Sarah Marshall, they all are pretty high on my "best comedies of the last decade" list. All of these films have something in common - the same sweet, morally central core at the heart of a infantile adventure featuring man-children of varying degrees of maturity. From the same family (in fact, a quasi-sequel to Forgetting Sarah Marshall) comes "Get Him to the Greek", a madcap little romp through 72 hours in the life of the world's last true rock star as he makes his way from London to L.A. for the 10th anniversary concert to commemorate a legendary performance. The music industry is struggling, and mogul Sergio (Sean "Puffy" Combs) is looking for something, anything, to give his struggling company a shot in the arm. What they come up with depends on securing the services of a completely insane, degenerate, junkie rocker, Aldous Snow (a ridiculously over the top Russell Brand - reprising the character who stole the show in "Forgetting Sarah Marshall"), who has fallen a long way from his peak, having released by all accounts one of the worst albums of all time and relapsed in a major way to his hard-partying past. Aaron Green (the always solid and funny Jonah Hill, who somewhat confusingly is playing a different character here than he did in Forgetting Sarah Marshall), a mid-level record company employee and major infant sorrow fan is tasked with heading to London to escort Aldous Snow from London, to NY for to the Today show, to L.A. for the concert. Aaron lives a pretty tame day-to-day existence, consisting of staying in and watching TV with his perpetually exhausted medical resident of a live-in girlfriend, Daphne (played sweetly and believably by "Mad Men"'s Elizabeth Moss). Needless to say, Aaron's world is about to get rocked by his encounter with the wild, out of control Aldous.

While there are plenty of wild partying scenes, general debauchery and gross out scenes, what really makes this movie worthwhile is the characterization of Aaron and Aldous. These two opposites really grow and learn from one another, and strike up a more than believable friendship. Like all of the Apatow family of films, at the heart of this flick lies a somewhat old-fashioned and innocent message. Aldous is charming,
smart and undeniably talented in addition to being a wildly out of control addict. What could have been one-note performances from Hill and Brand are instead nuanced and surprisingly touching, as you can't help but care about these people and feel the pain that lies underneath a lot of what they do.

Oh yeah - Russell Brand is actually a talented musician, and Infant Sorrow cracks me up. This is one of the better comedies I've seen in recent years, and I laughed out loud a lot. Well worth the price of admission.

7/10.