The Top Media of 2011.

So it's 2012.  Wild, right?  I'm pretty sure that 2012 is pretty universally supposed to have been the future.  I mean, based on what people thought from basically 1950 until 1990, by 2012 we'd have flying cars and jetpacks at the VERY least.. insterstellar travel on the optimistic side.

So I was going to just post my top 10 movies of 2011, but then realized that I reviewed every single movie I saw in theaters in 2011, so basically a top 10 list would just be sorting movies I've already rated according to score plus plugging in whatever flicks I didn't catch in theaters.. and that's kind of boring.  So I decided to rate my top 10 media of 2011 instead, whether movies, albums, books, TV shows, or so on.  I think it should be a little more interesting than just movies, and I think it sounds kind of fun.  So let's take a look at the year that was, shall we?
 
Honorable Mentions: Game of Thrones, Season 1, Community, Seasons 2 and 3 (an uneven start to season 3 hurt this one), Childish Gambino, Camp, The Girl With the Dragon Tattoo, Moneyball, Archer, Season 2.   


10. A Dance With Dragons (A Song of Ice and Fire, Book 5), George R. R. Martin - I didn't read any of the books prior to February 2011, but devoured the first 4 months before the release of the 5th installment in July.  Everything the show (Game of Thrones) does well, the books do better, and George R. R. Martin must be an awesome kind of insane.  That's the only explanation I can think of, for his interlocking webs of past, present, prophesy and multiple, often unreliable narrators create a dense, complex, engrossing and rewarding world that I and many, many others simply can't get enough of.  Don't believe me?  Check out the online fan communities, where you'll see fans as devoted and obsessive as any.  Is the whole saga extremely nerdy?  Sure.  But at its root, it's not about magic or traditional fantasy.. it's about real, flawed characters struggling in a brutal world.  In a bleak and brutal universe, the struggles that make us human become illuminated.  It's not a merry ride, but it's certainly a fun one.  At around 1000 pages of sprawling world building, interlocking narratives and ominous foreboding, the 5th installment is (hopefully) the darkest part of night, before the dawn. I would recommend the books to anyone with an adult mind and imagination.  But consider yourself warned, at around 900 dense pages per book, these are not for the faint of heart.  

9. Parks and Recreation, Seasons 3 and 4 - 
  So 2011 covered Season 3 and the first half of Season 4 of what just might be the best comedy on TV.  Since Rob Lowe and Adam Scott became regulars on P&R the show has achieved what may be approaching hilarious perfection.  Silly yet endearing, often outrageous and over the top yet still very human and very, very sweet, this show never fails to bring out the laughs and bring out genuine human emotion.  You know, like the Office when it was good, only better.  In 2011 Parks and Rec brought us the Harvest Festival (and 'Lil Sebastian), Flu Season, April and Andy's wedding, and more sweet zany craziness from the residents of Pawnee, Indiana.  Any week with a new Parks and Rec is well on its way to being a good one (especially if immediately proceeded by a Community..).  If you don't want to hang out with Leslie, Ron, Tom, April, Andy, Chris, Ben and maybe even Jerry.. well I don't trust you.  Kudos, Parks and Rec.. you really brought the awesome sauce in '11.

8. Friday Night Lights, Season 5 
Have there been better shows than Friday Night Lights?  Absolutely.  But I don't know that any show has been TRUER or more earnest, and there's certainly a lot of value in that.  These characters that you grow to know and love over the life of the series are flawed human beings.. but they are undoubtedly human beings.  I don't know that there's ever been a better and truer positive depiction of a marriage on television than Eric and Tammy Taylor.  Is it about football?  Sure.. but when it comes down to it it's about people, who have hopes and dreams and make mistakes but do the best that they can.  FNL achieved something that many shows have tried and failed to do in Seasons 4 and 5, they turned over their cast and switched the setting, moving Coach to a new school and introducing new players, and pulled it off perfectly.  Most FNL fans like the East Dillon crew more than the West Dillon crew.. who we love.  So even though the show came to an end in 2011.. you can't help but be glad that the show lasted as long as it did, and gave us a pitch-perfect ending along the way.  Also.. Billy Riggins is an American hero. 


7. Louie, Season 2.

Season 2 is when Louis CK's one-man tour de force, "Louie" crossed over from "interesting" to "tremendous".  Louie isn't just one of the best comedies on TV, but one of the best shows, period.  Louis CK is responsible for every single element of this series, and his cynical yet hilarious mind often spawns greatness.  Season 2 gave us some absolutely brilliant episodes.. including Louie's trip to Afghanistan and the long-overdue confrontation with the epic douche known as Dane Cook.  (kudos to Mr. Cook for having the guts and the magnanimity to make the appearance) It cracked me up, it broke my heart, but no matter what, it always had something to say.  Given Louis CK's brilliant comedic mind, consider me beyond excited for what Louie will bring in the future.


6. Bon Iver, Bon Iver   
   Bon Iver's (still not 100% sure how to pronounce it..) 2009 debut, For Emma, Forever Ago was truly great.  Melancholy, ethereal, gorgeous.  Written and produced in a cabin in the woods, and you can certainly tell.  Is this album an improvement?  It's so completely different, I don't know that it's possible to make that determination.   What I do know is that this album is also truly great.  It doesn't have the same unity of purpose and form, but what it lacks in a holistic approach it makes up for in ambition and variety.  Oh, and if I die anywhere in the next ten years, I want "Holocene" to be played at my funeral.. it's beautiful.  A friend of mine called listening to Bon Iver like "being in heaven's waiting room".. and while I'm not sure I agree, there certainly is something nigh-spiritual about it.  My favorite album of the year, and the one I don't skip any tracks on. 


5. Warrior
  So this one came out last fall, and I couldn't convince any of my deadbeat friends to catch it with me during the 3 weeks it was actually in theaters.  Shame on them, shame on me, shame on everyone else that didn't catch this one (and there were many..), because it is truly great.  All dramas contain an emotional journey of sorts, and in my experience, catharsis just may be the most heart-wrenching of them all.  No, I don't particularly like UFC/MMA, but that doesn't really matter.. like most great dramas, it's not about the superficial setting, but rather about the journey of its characters.  I'm a sucker for father/son stories.. and throw in a brother/brother story?  Forget about it.  So an MMA tournament brings together two brothers and their alcoholic father, long-estranged.  One brother is a war hero and gifted fighter, the other a family man, high school teacher and serious underdog.  Let me put it this way.. at the last fight I had full on tears running down my cheeks.  Powerful, powerful stuff.  Well worth a watch. 


4. Justified, Season 2
  It may not be the BEST show on TV, there are far too many "off" episodes for that, but at its strongest, which usually come during the last few episodes of the season, there isn't a better show, plain and simple.  Justified focuses on US Marshall Raylan Givens (Timothy Olyphant in a star-making turn), based on an Elmore Leonard character who is a little too cowboy-esque and trigger happy for our modern world, but who happens to be very good at his job.  A native of rough and rural Harlan County, Kentucky, Givens finds himself continuously sucked into the criminal world of his hometown, much of which is run by family, friends and acquaintances.  Despite his better judgment and the pleadings of basically everyone who cares about him, Harlan County continues to pull Raylan in.  Season 2 brings back Season 1's primary villain, Raylan's boyhood friend Boyd Crowder (a particularly charismatic Walton Goggins), and introduces a menacing and outstanding Margo Martindale as criminal matriarch Mags Bennett.  Just watch, season 3 just started and has certainly not disappointed thus far. 


3. Midnight in Paris
  First thing's first.. I don't usually like Woody Allen.  I find him to be self-absorbed and more than a little egotistical.  Not that that's especially uncharacteristic of artists, or that he isn't undeniably talented and prolific as a filmmaker, but something about the man and his works has always irked me a little bit.  So in light of that comes my love and appreciation for this flick.  It certainly doesn't hurt that Owen Wilson plays Woody Allen better than Woody Allen does.  This flick is sweet, funny, smart and an all-around good time.  Gil is struggling through his first novel and uncertain in his relationship with his fiancee, Inez, and finds just what he needed on the magical streets of Paris.  Is the "message" a little simplistic and obvious?  Sure.  Does it play to the egos of its audience by making references that make them feel cultured and well read?  Absolutely.  But none of that takes away from what this flick does well, which is capture an artful playfulness in a smart and worthwhile way.  Eminently watchable, quotable and pretty damn fun, I don't know that I'll ever get tired of this one.  Hemingway is an absolute treat.    


2. Tree of Life
  This one certainly brings out strong reactions in viewers.  Despite its utter lack of what most would call a "plot", its esthetic, undeniable beauty, ambition and an ethereal sort of spirituality make it an absolutely gorgeous film.   I look at it as an artful prayer, evaluation, or speculation on the nature of existence, on god and love and life and who we are and why we are.  Unanswerable questions, to be sure, but at the same time, one of the most important functions of art is to ask these questions and search for the ever elusive answers.    The beauty and greatness of this flick is rather difficult to put into words, much like a great painting or sculpture in that way.. where it's an almost instinctual reaction.  But let me say that I'd completely understand why someone wouldn't like this one.  I just happen to think it's the best film of 2011. 



1. Breaking Bad, Season 4
   Breaking Bad is, at this point of its run, the only series that even deserves to be mentioned in the same breath as "The Wire".  Brian Cranston has been knocking the role of Walter White out of the park from day 1.. and Aaron Paul has more than held up his end of the bargain.  By Season 4, what began as a deviation into criminality to make some side money has morphed into something lucrative, devious and horrible, with ripples that extend far beyond the intended consequences.  At this point, it's impossible to deny that Walter White is a villain, but damn it if you can't stop rooting for the guy.  Season 4 finds Walter and Jesse in a Mexican stand-off of sorts with chicken and methamphetamine kingpin Gus Fring, and the tension inherent in that employer-employee relationship is the dramatic drive for the entire season.  Breaking Bad was, and remains, appointment television, and with 16 episodes remaining, I can't wait for what will undoubtedly be an amazing finish.


So that's 2011 in media, folks.  Feel free to disagree, but know that I'm most likely right about pretty much all of this.  Just something to consider. 

2010: The Year in Film: Knight and Day review

Once upon a time, Tom Cruise was the biggest movie star on the planet. Sure, he's dwarfish, he can be a spaz, he's a weirdo scientologist, and he most often resembles a bi-polar manic, but he also can be immensely charming and likable, with an undeniable screen presence. A lot of people have been calling this one Cruise's "comeback", a charge I deny, since I enjoyed "Valkyrie", but if it truly is, one will see that despite the insane scientology nonsense and the leaping about on Oprah and debating Matt Lauer over the fruitlessness of pharmacological treatment, the same charming, funny, talented Tom Cruise is still there. Action comedies, like the three little bears, come in three flavors - too much, too little, just right. If you swing and miss and it turns into just an action movie that takes itself too seriously, you've got a bomb. If you swing and miss and it turns into a silly ass comedy that doesn't do action all that well, you've got a bomb. There's a delicate balance you've got to achieve, where the action scenes have the requisite gravitas but the whole thing is still light and fun rather than stuffy and brooding. Is this movie life-changing? Absolutely not. It's not a work of art that will leave you wringing your hands and pondering life's mysteries over beverages of all sorts. However, what it does provide is good old fashioned entertainment, of an actually enjoyable sort. Where many action-ey flicks bash you over the head with spectacle, explosions and ridiculous effects (make no mistake, this flick has all of them), this one primarily relies on the strength and chemistry of its leads. Tom Cruise is funny, charming, and all too believable as a rogue CIA agent who may or may not be completely out of his gourd. (it actually may be the perfect role for him, minus the whole epic badass thing) Cam Diaz is perfect at doing her thing, good looking, surprisingly ordinary regular chick who's just a little zany - she's basically been doing just that since "There's Something About Mary". Director James Mangold (Walk the Line, 3:10 to Yuma) is one of the more consistent directors in the game today, Peter Sarsgaard and Paul "Eli Sunday" Dano are the other principals, and honestly, I just had a good time with this one.

Our hero, Mr. Cruise, one "Roy Miller" is on the run from the agency, and clearly has something that they want. Along the way, an innocent bystander, June (Diaz) gets swept up in his path of destruction. The madcap plot jumps from exotic locale to exotic locale across basically every type of transport (plane, car, boat, train) as Miller seeks to evade those seeking him, both the Agency and a power-hungry European weapons manufacturer and lead his wards to safety. I honestly was surprised at how much I laughed in this one - Cruise does possibly crazy but very capable very, very well. If the film had relied more on the leads, humor and the obvious chemistry between Cruise and Diaz than completely over the top action scenes, we may well be talking about greatness here. As it is what we have is a fun, charming little movie that is destined to be played ad nauseum on FX in 4 years time. That is in no way a bad thing. Take it for what it is, it's a fun, silly little time, and I'd rather watch Tom Cruise carry a fun, ridiculous action movie than just about anyone else. (Not counting Robert Downey Jr.)

So don't go in expecting too much, see some cool gun battles, some witty dialogue, and a couple of solid little performances, and you'll have 2 hours of solid entertainment. That's certainly more than a lot of movies can say. 6.8/10.


Ignore the use of Muse in the trailer, Cruise can't help it, he's a scientologist.

AB's Summer Movie Preview!

So I know I've been bad about posting lately... this whole blogging business will get away from you if you aren't careful. But I've got a post here that's right in my wheelhouse, so let's get back on top. I'm talking, of course, about my Summer Movie Preview. Now this is MY summer movie preview, so don't come here to hear about Shrek 4, Toy Story 3, Sex in the City 2, Twilight, or shit like that. I'm here to talk about movies I'M interested in seeing, so get on board with that, or check out MTV or Nickelodeon for your movie news.. with that brief disclaimer, let's get down to it, shall we?

Now I know a top 10 is more fun for everyone involved, but unfortunately, I couldn't decide between numbers 10 and 11, so therefore, we've got a bonus top 11 - how fun!

11. Jonah Hex
Jonah Hex is a western-set rather obscure DC comic, and any excitement I have towards this one is all about the cast. Josh Brolin as the lead - a scarred badass bounty hunter full of smartass things to say? Count me in. Oh, and John Malkovich is the bad guy? I'm willing to give it a whirl. I'm a bit (well, maybe more than a bit..) concerned over the supposed re-writes and re-shoots that took place during and post-production, but I'm definitely still excited to see the trailer. Consider me a Josh Brolin fan, and I'll officially see anything he does. I heard something about the female romantic lead - what's her name? Megan something? Apparently she's quite attractive and all the rage with the kids nowadays. Jonah Hex comes out June 18. The trailer comes out April 29, I'll let you know more then - as of right now, it's too early to tell.




10. The A-Team

Now ordinarily, a cheeseball 80's remix like this would have me rolling my eyes in sarcastic "who-gives-a-shit"-ness. (Seriously, ask me how many times I saw G.I. Joe... the answer rhymes with "nero") But then they got Liam Neeson on board and cast my boy Bradley Cooper. Now I'm paying attention. I'm always game for a fun action movie... (if it's well made and well-acted), and the trailer looks kind of fun - it looks like they've got the right tone going on. I'm not going to say I'm seeing it opening night - but as long as it scores at least a 30% on Rotten Tomatoes, I'm seeing it. Oh, and if you ask me, the Rampage Jackson as B.A. casting was inspired. The A-Team opens June 11.




9. The Expendables

Stallone. Statham. Li. Rourke. Lundgren. Steve Austin. Randy Couture. Bruce Willis. The Governator. What more do you need to know? They don't really make old school fun action movies anymore, and consider me "cautiously enthusiastic" for this one. Check out that trailer.. how will it not be a blast? Rambo IV was secretly awesome, and the fact that this movie appears to have been conceived by Mac from Always Sunny is one more thing in its favor. I guarantee this one will make you feel like a man, and it will probably be a fun late night DVD watch for years to come. Is it going to be Oscar-worthy? Of course not.. but it can (and probably will) certainly be fun, and the $10 at the movie theater is cheaper than any other similar 2 hours you're going to have. So count me in. The Expendables will be released August 13.




8. Splice

Count me as an enthusiastic supporter of sci-fi in all of its various incarnations. This is a good old fashioned ethics discussion in the guise of a monster movie. A pair of genetic scientists experimenting with gene slicing decide to add human DNA to the mix - with predictably awful results. I keep hearing good things about this one, and am really looking forward to it. I think the trailer really says it all. Splice is due to be released on June 4.



7. The Other Guys

Will Ferrell's star has been fading as of late, and he's in desperate need of a hit. Count me among those hoping that this is it - and re-uniting with the director of Anchorman and a perfect cast like this could be just what the doctor ordered. That trailer made me LOL a couple of times, and the only reason I'm ranking this one this far down the list is just to temper expectations. Wahlberg has shown comedic chops from time to time, and Sam L. and the Rock are PERFECT as the badass super cops they appear to have been cast as here. I expect that this one will be a good time. Come on Will, we're rooting for you. The Other Guys opens August 6.




6. Knight and Day

Tom Cruise was once the biggest movie star on the planet - and this could be the movie that finally reminds people of why that is. He can be incredibly charming and funny when he wants to be. Cameron Diaz is one of the more likable female leads out there - throw in James Mangold, the director of 3:10 to Yuma and Walk the Line, and Peter Sarsgaard, and count me in. Despite the unfortunate use of Muse in the trailer, there's a solid chance this one will be a rip-roaring good time. This appears to be an old school 90's style tongue-in-cheek action flick - a genre that's particularly near and dear to my heart. I'm officially rooting for Tom Cruise, oddball dwarf that he is. Knight and Day is released June 25.




5. Predators

The first Predator film, for all the failings of its various sequels and incarnations/crossovers, was a badass action/horror classic. This film appears to be returning to those roots, and I am extremely excited about that. A group of humans, all deadly killers in their own right, are dropped on a planet that serves as a game preserve for Predators, and hunted. The return to the jungle needed to happen, as the Predator was much more effective in the jungle than he ever was in urban environments. The cast, while unorthodox, has promise, and talent in spades, between Adrian Brody, Lawrence Fishbourne, Danny Trejo and others - if you ask me, it's a better idea to go in a different direction with the cast than try to match the original's musclebound collection of badasses. Predators opens July 9.



4. Get Him to the Greek

A few years back, Forgetting Sarah Marshall was a surprise for me, and in my book, ranks right up there with the best of the Apatow family of films. Now, the director reunites with Russell Brand and Jonah Hill, who reprise their roles from Sarah Marshall, to make what I hope will be the best comedy of the summer. Jonah Hill has 72 hours to get wild man Russell Brand from London to LA. Hijinks ensue.. count me in. Get Him to the Greek opens June 4.



3. Robin Hood

Robin Hood gets a much-needed update and revision, considering his last bigscreen treatment was the nonsensical "Prince of Thieves", in which Kevin Costner decided it was necessary to pretend that Robin Hood was from Missouri. Ridley Scott and Russell Crowe, also known as the powers that brought you "Gladiator", have reunited to bring a legendary figure to life, with a little updating and revision along the way. This is not the prankster thief of legend.. this is a full on rebel leader. Epic battles, grandiose spectacle and unbridled heroism will ensue. Count me in. Russ Crowe finally realized that he's best as a badass. Cate Blanchette as maid Marion? Awesome. The extremely underrated Marc Strong (Archie from "Rock N Rolla") as the sheriff? Awesome. In many summers, this one would be #1 on the list, but a couple of arrivals at the top make this not your average summer. Robin Hood opens May 14, and I'll be there May 14.



2. Iron Man 2

The first Iron Man was one of the all-time movie surprises. A relatively minor figure in Marvel's pantheon of heroes becomes one of the biggest films of all time. This is truly a testament to the talent involved. Favreau is more than competent behind the camera, Downey is truly immaculate as Tony Stark (I remember saying when I found out he was cast initially that he was truly perfect for the part), and the supporting players are all great. This remains the case even after Terrence Howard is replaced by Don Cheadle, as IM2 adds Mickey Rourke as the Russian whiplash, Scarlett Johannson as Black Widow, and Sam Rockwell as a rival arms manufacturer who wishes to hijack the Iron Man technology. (In case you're wondering, people trying to steal the Iron Man technology consists of about 92% of all Iron Man stories) Oh, how could I forget - War Machine (one of the biggest badasses in all of Marvel) makes his initial appearance as Rhodey dons the armor to help out his pal. I'll be there opening night, maybe even at midnight. Iron Man 2 opens May 7. Get there early, there's talk that this one might break TDK's opening weekend haul.



1. Inception

Chris Nolan is one of the few filmmakers about whom I can honestly say I'll see anything they make, no matter what. That, and the fact that he's teamed with my boy Leo for this one, make this the unquestioned number 1 of Summer 2010, despite the fact that I know very, very little about this secretive film. I do know that Leo's character is a new generation of Corporate spy in the near future who uses technology to go into people's minds in an effort to steal the contents of their minds. Other than that - I know nothing, except that this film will be stellar narratively, look amazing, and offer a whole hell of a lot more than your average summer blockbuster. Inception opens July 16, and I'll see you there.

The 2000's: 11-6

Merry Christmas all, I hope everyone has a great holiday.

I know, I know, we already had a number 11, but there's been a recent, eh, development that needless to say, shook up the decade's top 10. That being said, I'm just going to double up on #11 and readjust my top 10 accordingly. Here goes nothing...


11 Slumdog Millionaire (2008)

One of the true pleasant surprises in film that I can recall. I'm not going to lie - I was once a Slumdog hater - I didn't see it in theaters and didn't watch it on DVD until after it won best picture. This is your classic - "don't judge a book by its cover scenario" - I looked at the film on paper - cast of unknowns, rag-to-riches story, uplifting, and thought - there is no way in hell this is 1/10th as good as everyone says. Boy was I wrong. This is one of those eminently watchable films - one that manages to be social commentary, a tale of two brothers, a great love story, a coming of age tale and a mystery all at the same time. Take an almost stock story - the persevering hero with a heart of gold who never loses belief - and set it in India during that country's rise to economic power - and you've got the root of this moving film. Despite its sometime heartbreaking material, the film never loses its sense of fun and ultimately optimistic outlook. Unknown newcomer Dev Patel is beyond great as your classic "good guy" Jamal Malik - who despite a lifetime full of trials and tribulations remains an honest, hardworking, sweet kid. Who can't root for Jamal in his quest to regain his childhood sweetheart? Non-linear storytelling allows the film to unravel present and past in an exploration of Jamal's past and Indian society. This film is full of great shots, great performances and great moments. At once a celebration of Mumbai and the Indian people and commentary at the often unimaginable (to Americans) conditions the poor residents endure, this film accomplishes so much within the frame of a surprisingly tight and fast-paced story. You'll laugh, you'll cry, you'll gasp - but I promise you'll have a rewarding experience.



10 Requiem for a Dream (2000)

The ravages of drug abuse and addiction are laid plain in this one. Devastating - truly devastating. I've long said they should show this one to high school students.. it's a better anti-drug campaign than anything else schools could possibly do. One of the most gifted filmmakers working today - Darren Aronofsky, drops some serious shit on us with this one. Great performances all around - particularly Ellen Burstyn, who is heartbreaking as a sad, lonely older woman whose life spirals out of control after she becomes addicted to diet pills. Hopes, dreams, even talent, are meaningless when confronted with the beast that is addiction and the havoc that the pursuit of your next high can wreck on your relationships, career and ambitions. Sure, not everyone with an addiction winds up hitting the kind of rock bottom that the four primary characters in this one find themselves careening towards - but there aren't a whole lot of happy endings out there. But no mistake - this is art - sad, crushing art, yes, but this is a beautifully made film - with some amazing sequences. We witness the slow descent to bottom as each character makes bad choice after bad choice, destroying their lives in the process. All four of the leads are solid - likable even - which makes their unraveling all the more upsetting. This one stays with you long after the credits roll.. and while it can be hard to watch - it's impossible to avoid Aronofsky's brilliance and that the film has something to say.




9 The Hurt Locker (2009)

The opening quote and tagline says it all - "war is a drug" - and here we have three primary characters who deal with this most deadly of drugs in varying ways. Tense from the opening scene - this is a truly great depiction of war on screen. I'm on record calling it the best war movie since "Platoon", and considering Platoon won best picture - this is no small praise. Unlike so many (lesser) war films, this one leaves the sermon and soapbox at home, electing to show rather than tell. Starring a bunch of unknowns ("perfect" is inadequate praise for Jeremy Renner's performance in this one) as an elite bomb disposal squad tasked with de-fusing bombs, IEDs, and other nasty things during the bad old days of the Iraq war, this film makes you feel as though you're there... granting you a glimpse into the minds of men tasked with doing the government's dirty work. This isn't about men complaining, spouting the opinions of the writers and directors, it's about men who are very, very good at what they do, and we witness the inevitable horrors of war through their eyes. I find it fascinating that the two biggest names in this film, Ralph Fiennes and Guy Pearce, are in the film for no more than 15 minutes. There's a reason why war has spawned much of the best media in western culture, and its that life and death situations give you a clear window into man's soul. When all pretense vanishes, we see who we really are.. and that can be a scary thing. By declining to pass judgment on the what and why and instead focusing on the human side of conflict, the film keeps its credibility and manages to say so much more than some partisan critique ever could. There was a period of about 4 months when I thought this was a shoo-in for best picture - and it will definitely be nominated. Great direction by Ms. Kathryn Bigelow (Point Break) - in this tense, funny, action-packed and yet ultra-realistic depiction of the way things are. Expect to see a lot of this one come Oscar time.



8 No Country for Old Men (2007)

The Coen Brothers' masterpiece gives us a great story (adapted from a Cormac McCarthy novel) of a nobody, Llewellyn Moss (Josh Brolin - in a star-making performance) who stumbles upon the remnants of a drug deal gone bad - and attempts to make off with $2 million he finds in a briefcase. In the summer of 1980, in west Texas, the tagline says it all: "there are no clean getaways" - as Moss finds himself hunted by one of film's great villains - the unstoppable killing machine known as Anton Chigurh (Javier Bardem, in a deserving Oscar-winning role). This is the Coen brothers at their best. A tight story with great characters, with gorgeous cinematography, solid dialogue, and a sense of inevitability to it all. Any one of these things is worth watching this film for - combined? They create a classic. People focus on the end and how it doesn't make any sense. Does it really not make any sense? Why do film audiences demand that everything is laid bare? Why can films get away with so very little compared to say... literature? Does it really need a bow tied on it? Maybe the end doesn't mean anything - maybe it means everything. What I think it means is that there are no happy endings - that sometimes, the bad guy wins, and that bad things happen to regular people for sometimes no reason at all. After all - it is no country for old men.



7 Memento (2000)






Every now and again there comes around a film that is so truly groundbreaking that it takes multiple viewings to get your mind around it. The Nolan brothers arrive on the Hollywood scene in a serious way - and from the get-go, it is clear that we are dealing with a major talent, who will no doubt (barring tragedy) have a lot to add to the film canon over the next several decades. It is amazing that given the films Chris Nolan has made since Memento (the Dark Knight, Batman Begins, the Prestige), this remains undoubtedly his best. Incredibly original storytelling makes a mundane plot (man seeks revenge for wrong) seem like nothing you've never seen before. A man, Leonard, lost his short term memory and ability to form new memories in a horrific attack in which his wife was raped and murdered. This makes his quest for revenge... difficult, to say the least. Leonard relies on companions who he may or may not be able to trust, notes to himself and a plethora of tattoos covering his body. The film is told in reverse, allowing a masterful filmmaker to unravel the mystery through Leonard's eyes... all confusion and uncertainty. The underrated Guy Pearce (who doesn't work nearly enough) is terrific in demonstrating Leonard's simultaneous determination and (often) bewilderment. You won't know up from down from left from right - until the shocking reveal. We're dealing with a talented storyteller here folks. If you haven't seen this one yet - I suggest you check it ASAP - you won't regret it.



6 Road to Perdition (2002)

Although on the surface a tale of revenge by a mafia soldier who was wronged by those who trusted - this one becomes so much more, including one of the more touching portrayals of father and son on celluloid. To say Sam Mendes is a talented is akin to saying Red Robin makes a good burger. That is to say, woefully inadequate. Look at the shot depicted in the above picture. Just beautiful. So crisp, so artfully done. Tom Hanks is terrific as muscle Michael Sullivan. A loving father and husband, a man of few words, who also happens to be a cold-blooded killer. Tom Hanks, Paul Newman (in his last role), Daniel Craig, Jude Law and one of the best character actors working today: Ciarán Hinds are all great in Mendes' follow up to one of the 90's best: American beauty. Sullivan and son go on a Dillinger-esque crime spree mission of revenge after he is betrayed by his former employer, eluding hitmen and vengeance on a trip through the midwest. For some reason, I'm entranced by bad men, who are fully aware of their inherent badness, yet still live by a code. This one gets the waterworks going every time, and I've watched it probably 100 times. There's something to be said for that. Best line: people ask me if Michael Sullivan was a good man, I tell them: he was my father.

James Cameron

In honor of Avatar - James Cameron's first feature length non-documentary since Titanic, I'm going to rank, review, and discuss his 6 films. (I'm not counting his debut "Piranha II: the spawning", because he didn't write it, while he did write the 6 films I'll be counting down) Cameron's films are distinctive for two things - technical merit of the highest kind, and a strong sentimental streak. Even in an action movie like Terminator 2 or Aliens, the relationship between John Connor and the robot sent to protect him, and Ripley and Newt, is at the heart of the story. No director working today has done more for the Sci Fi genre than James Cameron, and only George Lucas is even in the neighborhood of having the same impact on special effects and the technical side of filmmaking. Terminator 2 was at least 10 years ahead of the curve in terms of effects - the morphing liquid metal T-1000? In 1991? That is unbelievable. Titanic completely changed the way films were made technically. They built a huge external facade of the ship in a 17 million gallon tank, where they filmed the crash sequence and seamlessly integrated those shots in with CGI shots of the ship sinking. This was in 1996 mind you, and the CGI looks worlds better than 90% of the shit that's come since.

First, to address some of the negativity I've heard concerning Avatar and its plot and general appearance. Sure, the outline may seem to be similar to Dances With Wolves or Ferngully or any number of similar films, but ask yourself, are these original plots? It's an epic film set in space - plot originality is not the key draw, and such films tend to draw on archetypes (see: Star Wars). In addition - don't judge a film intended to be viewed in 3D based on 2 minutes that you've seen on your non-HD TV screen. In August, I saw 15 minutes of Avatar footage at a special showing - and let me tell you, it looks like no film I've ever seen. It's one thing to see a 2D trailer of 3D footage, it's another to actually see it. Let's just say that as big a leap forward that T2 was in 1991, this one is even bigger. CGI filmmaking will never be the same, and I'll wager that it will be at least 5 years before we see anything that even comes close to matching this film's technical merit. Cameron wrote the script to "Avatar" in 1995, while he was working on Titanic, and left it on the shelf until the technology existed to make the film consistent with his vision for it. He didn't make a feature-length motion picture in the interim, only a documentary. He invented half of the equipment and techniques used in the film - and visually, I promise you, you will never have seen anything like it. People say that Cameron has created the most expansive fictional universe since Star Wars - and I can get behind such ambition.

So, with no further ado, here come the Cameron rankings:

6 Titanic (1997)

look at how fucking young leo looks.


the most successful film of all time, both in terms of box office receipts and oscar wins, despite mediocre reviews from critics. (i think it stands at an 81% on rotten tomatoes) it was nominated for a record 14 oscars, won a record 11 (it's tied with ben-hur and return of the king for the most ever), and grossed more than 600 million domestically, and more than 1.8 billion worldwide. I remember seeing this one - valentine's day, I was in 8th grade. her parents drove to the theater. awesome. Titanic's box office run is legendary. It opened right before Christmas to 28 million. It went on to earn more than $10 million in 13 consecutive weekends. 13! that's astounding. there's no denying the film's technical merit and filmmaking achievement, it just doesn't do it for me. it's a good movie, no doubt, but i can't get excited about it, and i respect the talent involved, and it certainly tugs at the heartstrings and does a great job of memorializing one of the truly great infamous events of the 20th century. my grade for titanic would be 7/10, more than adequate, and a technical marvel.



5 True Lies (1994)

James Cameron's tongue-in-cheek take on James Bond and straight-forward action movies. Always presented with a wink and a smile in that distinctive Ah-nald way that made him one of America's biggest movie stars, Cameron manages to make a film that is fun on many different levels - as a send-up of the action genre, as an improvement on the James Bond "spy" genre (remember - this is before the Pierce Brosnan Bond reboot), and as a straight up good time. Jamie Lee Curtis goes from bookworm to hot, and made every kid my age sad when they found out she may or may not have been born as a hermaphrodite. (and then look up what a hermaphrodite was) America's ultimate spy (who confusingly has a heavy Austrian accent) has a wife and kid who can't stand him, thinking he's a boring businessman rather than the ultimate badass he really is. Their paths cross with a beautiful exotic woman with ties to international terrorists who plan to detonate a nuclear weapon on American soil. This is easily Tom Arnold's best role, as Arnie's snarky sidekick, and the movie is a rip-roaring good time. The horse chase, the Harrier scene, the opening party scene - all awesome. Easily Cameron's most comic film - True Lies remains one of the highlights of the 90's action genre. I give it a 7.8/10.



4 The Abyss (1989)

Yet another technical marvel of filmmaking by one of the most ambitious directors working today. The Abyss wasn't all that well received when it was initially released, and was considered by many to be a flop, especially in the wake of "Aliens", but it's well worth a watch, and has stood up remarkably well. This was a legendarily tough shoot - they shot much of the film in huge tanks, with the actors required to don full dive gear. An American nuclear submarine mysteriously disappears - leaving the government suspecting the Soviets (this being 1989 after all), and a team of Navy SEALs and a team of underwater oil workers are tasked with recovering the sub. Tensions are high and mysterious vessels are repeatedly sighted, leaving the military suspecting the Soviets - although perhaps something even more strange and wonderful is at work. Ed Harris (the legendary dick that he is), Mary Elizabeth Mastrantonio and Cameron favorite Michael Biehn are all great in this one, and once again, at its heart, the film features a tender story between estranged spouses Mastrantonio and Harris. I won't spoil anything - but this truly is a remarkable film technically, and has a lot to say about old MADD policies. I give it an 8.2/10.



3 The Terminator (1984)

Few films have had as big an impact on sci-fi as this 1984 classic. The film that started it all, spawned multiple sequels, massive mythology, and innumerable imitators (would the matrix have been created without the terminator? i doubt it) This, and conan, launched the career of the man who would be one of the two or three biggest movie stars on the planet... and few times have man and material come together in such perfection. Ah-nald is fucking terrifying in this one as an unstoppable cybernetic killing machine from the future where machines are trying to wipe out the human race, sent back to kill the mother of mankind's savior before he is even conceived. Michael Biehn (how he didn't become a star, I'll never know) is great as future resistance fighter Kyle Reese, and the glimpses we get of the future are truly terrifying. Linda Hamilton is more than believable as overwhelmed regular girl Sarah Connor, supposed mother of mankind's savior. This one is almost a horror film, with the entire film focused on escaping from this terrible killing machine that is completely impervious to gunshots and most weapons thrown at it. Although once again, the heart of the film lies with an unlikely love developing between future resistance fighter and protector Kyle Reese and Sarah Connor. The Terminator is a sci-fi classic and really doesn't look all that bad effects wise, especially considering it had a low budget and is 25 years old. 8.5/10.



2 Terminator 2: Judgment Day (1991)

Rare is the sequel that is better than the original - especially when the original is a classic. Cameron, Arnold and Hamilton are back, along with (an amazing) Edward Furlong as the now 12 year old John Connor, future savior of humanity. Hamilton's Sarah Connor has been... effected by the aftermath of 1984's Terminator, having been committed to a mental institution for raving about the (true) supposed future and danger of machines. Cameron really switches the bill on this one - bringing back Arnold as a good guy, (he was captured and reprogrammed by the resistance) now charged with protecting the young John Connor from the badass T-1000 sent back through time to kill him, and presumably mankind's future. The T-1000 has significant upgrades over Arnold's model (the T-800), being made of liquid metal so that he can form weapons, change shape, absorb gunshots, get blown up, run over, frozen and basically anything else with no ill effects. With the largest budget of any film at the time, T2 made huge steps in special effects and is a true technical marvel of a film. Despite all of the awesome shit blowing up, being shot at, etc., the heart of the film is the touching relationship that develops between the fatherless John and his robot protector. This is the first R-rated film I ever saw, and one of the greatest action movies of all time. This is the way blockbusters should be made - just sit back and enjoy the ride - for years this was the highest-grossing R-rated film of all time, and is a real blast. 9/10.



1 Aliens (1986)

In the pantheon of great sci-fi (star wars, star trek 2, blade runner, the matrix) "Aliens" is in elite company, and other than the original star trek series and the first star wars, nothing else has had the same impact on sci-fi conventions and "rules". Cameron flipped the script completely on "Alien", which is a great film in and of itself, but a small scale, terrifying film. Cameron took an awesome character, Ripley, an awesome bad guy, the "xenomorph", an awesome universe, and added a team of badass Marines and some dastardly intentions from an omnipotent galactic company. Watch 'Aliens" sometime - check out how badass the effects look - and consider this film came out in 1986. It looks cooler than half of the shit being put out today. This is truly one of the best sci-fi/action films of all time - with memorable characters throughout. Bill Paxton is especially memorable as the clown of the crew. Like all of Cameron's films, this one features surprisingly strong characters, not reverting to stereotypes when it would have been exceedingly easy to do so. Also, the heart of the film is in the relationship between Ripley and the one surviving colonist, a young girl named "Newt". The subtitle says it all: "this time, it's war". 9.2/10, I'll show this one to my kids when they're old enough. It's that awesome.

The 2000's: 15-11

15 Minority Report (2002)

blade runner (do androids dream of electric sheep?), total recall (we can remember you wholesale), a scanner darkly and this little beauty are the highlights of sci-fi author philip k. dick's contributions to film. take what's best about sci-fi and crime "whodunits" and what you get is "minority report". this story of a 2050's washington d.c. where crime has been all but eliminated thanks to "pre-cogs" who can see the future before it happens is in the more than capable hands of one steven spielberg, who creates a real vision of our near future, that only seems to be all the more true with every passing year. to me, that is the test of a truly great vision of the future - how much of it stands the test of time, and even seems more real. the computers here, interactive 3D projections - um, did anyone catch last year's presidential election on CNN? the cars, the degenerating society, the personalized advertising (have you been on facebook lately?), the "big brother" feel to everything, it all hits harder now than it did 7 years ago. tom "i'm batshit now" cruise is truly great in this role as a D.C. policeman overseeing the "Pre-cog" crime program who suddenly finds that his name pops up as a future murderer. was he set up? who could have done it, and why? cruise finds himself on the run, unraveling the mystery all the while fleeing the truly long arm of the future state. a truly involving cinematic experience, and one of the decade's true sci-fi gems.



14 Gladiator (2000)

i didn't even realize people didn't like this one until extremely recently. what's not to like? that it takes itself seriously? is that really such a bad thing? just because we as a culture are so postmodern and ironic we can't stand media that's not based on poking fun at something or standing for or in favor of something doesn't mean that anything with a contrarian view is wrong or inferior or somehow worthy of derision. there were simpler times when things truly could be "right" or "wrong" and didn't require debate - some "heroes" of the past were and could be "heroes" like no one alive today could be. i truly think this (along with ben-hur and lawrence of arabia) is one of the greatest films ever made. the scope and ambition of it alone make it worthy of awe and appreciation. people speak as if gladiator didn't deserve to win best picture... what did? chocolat? crouching tiger, hidden shit? erin brockovich? come on. that's silly. i can't even remember any of those films, and i remember gladiator like it was yesterday. for about 4 years of my life, this was the best film i saw in the theater. the direction, cinematography and computer rendering of the glory of ancient rome are all truly terrific. and the cast... in a word, wow. russell crowe at the height of his powers. djimon hounsou and joaquin ("i'm crazy now") phoenix and a host of supporting characters, including oliver reed in his last role, make this a film that is about so much more than the effects and battles. is the story wholly fictional? of course - but it's entirely believable, and features one of the decade's true heroes. i've watched "gladiator" at least 100 times, and it's not out of the question for there to be another 100 viewings left in this one.



13 The Prestige (2006)

Chris Nolan's inter-Batman film, starring Bruce Wayne, Wolverine and Alfred Pennyworth as dueling magicians and a trusty old engineer of tricks in turn-of-the century london (and colorado springs) is so much more than it appears. every magic trick has three parts - the turn, the pledge, and the prestige. in its brilliance, so does this film. it follows two magicians who dedicate their lives to topping (and toppling) the other following a tragic accident in their younger days. we follow these magicians as they pursue their craft with an unhealthy obsession, costing their personal lives in the process and pursuit of fame and glory. when Bale comes up with "the best magic trick anyone's ever seen", Jackman will stop at nothing to discover and duplicate the technique - even employing Nicola Tesla (David Bowie - in a brilliant turn). I really can't say enough about the actors involved. Bale, Caine, Jackman, the underrated ScoJo, Andy "Gollum" Serkis and David Bowie all bring the goods. I shouldn't even need to mention the filmmaking - it is Chris Nolan we're talking about - one of the very best working today. While, like most films with a twist, this one isn't as necessarily fun to watch and re-watch as others on the list, it certainly is a superb little piece of filmmaking, and, i dare say, Nolan's best film starring Christian Bale and Michael Caine.



12 The Pianist (2002)

despite being more famous for banging a 13 year old girl, roman polanski is a master filmmaker with a career spanning more than 5 decades, including this gem, one of the truly great holocaust films, bringing what is often portrayed as a macro phenomenon down to a human scale, not through a hero or truly stand up guy, but just a regular man who happens to be an accomplished concert pianist. we see the polish holocaust, warsaw ghetto, and famous, albeit ultimately failed warsaw uprising through adrian brody's (in a much deserving oscar winning role) eyes. one of the true horrors of human history is presented in a very personal, realistic, and often shocking way. there is a scene towards the end of the film where the titular character is forced to play for his life by a german officer - and it just serves to illustrate the shared humanity of us all - and the role of art and beauty in that humanity, even in the darkest times. this is one of those films that causes me to just sit in darkness, staring off into the middle distance, for about 45 minutes after its over - just soaking up what i've just experienced, and that's a powerful thing.



11 There Will Be Blood (2007)

the sheer audacity of this one is astounding. it really, truly blows me away that anyone let PT Anderson and Daniel Day Lewis make this one. it's about oil, but not really, it's about greed, but not really, it's about the human condition, but not really, it's about religion, but not really. a character study of a wholly fictional character from an upton sinclair novel, we are presented with one of the decade's true pleasures. absolutely gorgeous, wonderful filmmaking from one of film's biggest enigmas, PT Anderson, and a truly amazing performance from our greatest living actor. just watching a madman playing a truly obsessed madman - there's something so beautiful about that. Day-Lewis truly becomes Daniel Plainview - there's no glimpse of any other person in his eyes. This isn't a man playing a man - it's a man becoming a man, who will stop at nothing to get what he wants, despite the pile of wreckage he leaves in his wake. Plainview gives me the chills - he is pure, unadulterated greed and desire - not greed for financial success, but for recognition of his abilities as a businessman, one who won't compromise for anyone, and who will crush anyone who stands in his way. day-lewis gives THE best performance of the decade in this one - and if i could figure out what this film really MEANT, it'd be probably #3. as is, madness isn't ultimately as important as maybe i'd like.




oh, and this kid has been making me laugh all day:

The 2000's: 20-16

20 In Bruges (2008)

sometimes you have to laugh to keep from crying. this is a true work of brilliance. dark comedy abounds in modern film, and can be very hit or miss. everyone and their brother is trying their hand at it - particularly across the pond. this charming little film was quite a pleasant surprise for me, and in film, pleasant surprises tend to be few and far between. now it's no secret around these parts that i've got a decent sized man crush on colin farrell, i think he's one of the more promising young actors we have, and this film is example one. he manages to be hilarious, depressed, lovestruck, and suicidal over the course of two hours. the always terrific brendan gleeson is great as a good guy who also somehow is a hitman. ray (farrell) and ken (gleeson) are hitmen sent to Bruges, "the most well-preserved medieval city in Belgium" to lay low after Ray accidentally kills a child on his first job. ralph fiennes is hilariously foul-mouthed as their boss, harry. without spoiling too much, bloodshed, midgets, mistakenly punching a canadian for being american, rants on race, and a little love ensue. come for the witty banter, stay for the great performances and surprisingly touching story. great dramedy is hard to find. this one might wind up higher on the list in a few years.



19 The Life Aquatic with Steve Zissou







bill murray is one of the true comedic heavyweights of our time. in my estimation, he's never been better than he is as the irrelevant, oblivious, sad and hilarious titular steve zissou. zissou was once at the top of his craft, producing hit documentaries and basically being jacques cousteau. now, some 20 years later, his star as faded, his best friend has been eaten by a mysterious creature and a man claiming to be his son comes forward. but it's wes anderson, so the story is really incidental to the real reasons i love this movie. this film is truly hate it or love it, but i love it. cate blanchett, willem dafoe, owen wilson all bring true comedic brilliance. seu jorge (a brazillian folk singer) plays and sings acoustic david bowie songs in portugese throughout. (!)(how awesome is that?) so zissou and company (including unpaid interns from the university of north alaska) pursue the beast on one last adventure, encountering pirates, drama and zissou's nemesis, alistair hennessey (a hilarious jeff goldblum) along the way. this one will make you laugh, make you cry, and expose you to one of the true pleasures of the 2000's. eminently quotable, eminently watchable, eminently memorable. a true pleasure. you won't regret it, unless you're no fun.



18 Mystic River (2003)

dennis lehane is probably my favorite contemporary american author. mystic river is a true work of brilliance out of him. lehane manages to describe so well the american underclass, to tell without judging or preaching. you recognize the humanity in it no matter how far removed from the blue collar streets you may be. that being said, there are times when a film is simply a superior way to tell a story, when actors can simply convey the emotions and thoughts involved in superior way to words on a page. clint eastwood has been one of hollywood's biggest players for a long time, this decade is when he brought his A game consistently behind the director's chair. mystic river, million dollar baby, flags of our fathers, changeling and grand torino are all works of subtle, understated genius (to varying extents). but what really makes this film are the brilliant performances of the leads. to say that sean penn and tim robbins bring their A-games would be the understatement of the century - they swept the 04 acting awards. they say with their faces what lehane takes pages to describe. powerful and devastating, mystic river is a distinctly american tale that says so much with so few words. 3 childhood friends whose lives were forever changed by a monstrous act find themselves reunited by another some 30 years later. it's not always pleasant to watch, but it is, in the end, an experience that will make you appreciate what a great actor(s) can bring to the table. sean penn and tim robbins have never been better. kevin bacon, marcia gay harden and lawrence fishburne are far more than adequate. add in one of the top 5 directors working today, and you've got an oscar-worthy film, probably deserving of a rank higher than the one i've given it.



17 Munich (2005)

i'll be the first to admit that spielberg's eyes get too big for his stomach sometimes. he can be overly sappy and sentimental, too big picture oriented, and have weak characters at times. despite all of this, Munich is a personal favorite of mine, it has a lot to say, and says it powerfully. especially prescient in this day and age, munich speaks to the nature of revenge and violent reprisals, and the profound changes engaging in such messy business can reap on all of us. pretty heady stuff. eric bana and daniel craig, among others, are on the elite team of israeli specialists hand picked by golda meir to enact israel's revenge on the palestinian militants responsible for infamously killing 11 members of the israeli olympic team at the 1972 munich games. what is seemingly a simple task becomes convoluted and much more complicated than any of the parties could have possibly imagined as the team travels the globe in pursuit of their targets. spielberg's direction does an incredible job of demonstrating the consequences of this plan, and bana's conflicted protagonist, avner, finds his world shattered by his involvement. whether you're pro-israeli, pro-palestinian or somewhere in between, spielberg's statement on the uselessness of violence as a means to accomplish ANY ends is a powerful allegory for the modern day geo-political situation. there's one amazing scene where the israeli commandos (claiming to be basques) and the palestinian commandos sent to foil them (claiming to be algerian) are put up in the same safe house and forced to deal with one another as individuals rather than abstract ideas. great stuff. well worth the 2 hr 45 minute commitment.



16 Gangs of New York

i love this movie a lot more than 16, but a cursory look at the films yet to be listed requires placement in this spot. the greatest villain in movie history (in my book), is portrayed in legendary fashion by the finest actor working today, daniel day-lewis. leonardo dicaprio in his first grown-up role. cameron diaz, john c. reilly and brendan gleeson highlight the others in this terrific ensemble. other than 'the last temptation of christ', this scorsese's most ambitious film, and the audience should be thankful that at least one director cares about creating such expansive and gorgeous sets (he built the 5 points in Italy). i've watched this one far more than is healthy to watch a film that requires two DVDs to fully enjoy, and can quote the butcher ad nauseum. however, ultimately, for me, leo isn't grown up enough to adequately foil DDL, and the film suffers for it. 'departed' 2007 leo would have been able to do it, 2002 leo fresh off of 'the beach' wasn't ready. also - it's a crime that liam neeson's badass priest vallon gets relegated to the prologue. that being said, i'm in love with scorsese's pull-no-punches, unapologetic depiction of history. who better to helm a tale of america's criminal past than the cinematic master of its criminal present? some all time classic characters and one-liners in this one, and the fact that DDL came home from the oscars empty-handed is a complete crime. a travesty even.

The 2000's

Now, I know this list may be a little redundant, what with the top 100 so near in the past and all, but what the hey, the end of a decade only comes around every so often, let alone what may in fact be the formative decade of my life. So I'm not going to promise that the lists are identical, in fact, they are not, there's been some reflection and additional film watching since the original list was made. Also - I can't help but notice that some people like to call it a "decade" from 1999-2009. That is not a decade, that is in fact 11 years. A decade is 2000-2009, zero has a value when you're talking years. So without further ado, I'm going to present my top 25 since 2000 over the next several weeks.

Oh - one disclaimer, I'm only going to include one film per series in here, i.e., only one of the Lord of the Rings, because it'd just be boring to put them all in. Let's do it.

25 V for Vendetta (2005)
How do you make a film about a super-strong, horribly burned and disfigured anti-hero terrorist in a fictional fascist Great Britain feel prescient and more relevant than half of the shit you read on nytimes.com? Great question. If I knew I'd probably have left this blogging nonsense behind a long time ago. My point, however, is that a mere 3 1/2 years after 9/11, a film where a terrorist brings down major landmarks in opposition to his government succeeds brilliantly, as a political statement, a testament to the individual, and a rousing action film. Mark this one up as one of the biggest surprises of the decade for me, and one I go back to more than just about any other. As a protagonist, you the viewer can't help but side with V even as you shake your head at his megalomania. I could rave for pages about Natalie Portman in this one, but the always lovely and always charming Miss Portman brings a much needed human, grounded face to the whole endeavor. Plus, the one-shot head shaving scene? Awesome. Hugo Weaving manages to make a Guy Fawkes mask more expressive than most actor's faces, and lets be honest, the only thing this film is missing is Tom Wilkinson.



24 The Wrestler (2008)
Can you ever really teach an old dog new tricks? Does a tiger ever change its stripes? Do I know any more animal cliches? Who knows these things... I certainly don't. Brilliant is not the proper word to describe Mickey Roarke's performance or Aronofsky's direction (super pumped for robocop, by the way), and rarely, if ever, this decade have actor and material ever come together in such a way. At once uplifting & inspiring and crushing & devastating, we witness a once proud man, once a superstar - reduced to near homelessness, as he hangs on to the one thing that gave him any meaning. He continues to make self-destructive choices in pursuit of glory - forcing us to ask the question - does he really have any choice? You'll cry, you'll laugh, you'll marvel at the very real beauty of what you're seeing, but one thing I guarantee is that you'll be affected, deeply, by what you see.



23 Kill Bill: Vol. 2 (2004)











What's a top 25 list without one of the decade's most accomplished, controversial and divisive filmmakers? While I wouldn't be surprised if in 10 years Inglorious Basterds is the 2000's Tarantino film I come back to most often, right now Kill Bill 2 is the one that stays with me. Vintage Tarantino, with snappy dialogue, great shots, memorable characters, and non-linear storytelling. The lovely Uma Thurman is adequately badass as the unstoppable killing machine otherwise known as Beatrix Kiddo, and brings a much-needed sensitivity to the required scenes. The additions of Michael Madsen, Pai Mei and David Carradine (RIP) in addition to the filling in of the backstory make this the (much) stronger half of the Kill Bill series. I am sticking with my original statement that Kill Bill would be much stronger as a single film, but if I'm picking one, it will definitely be this one. The Kung-Fu training with Pai Mei is beyond awesome, and is one of my favorite scenes in any movie. I'll be the first to admit that Tarantino can be hit (Pulp Fiction) or miss (Jackie Brown), but this one is all hit, even if installment number 1 of Kill Bill isn't.



22 Collateral (2004)
Yes a Tom Cruise movie made the list. I wonder how many people really ever saw this one. It's Michael Mann you know. Yes, Heat Michael Mann. Jamie Foxx is a taxi drive who unwittingly becomes hitman Tom Cruise's personal driver as he cuts a swath through the L.A. underworld over the course of one very long night. It's Michael Mann, so I can tell you what you're going to get... awesome shoot-outs, heavy use of rock music and sweeping panoramic shots of the cityscape. This is a Mann (pun intended) who knows his craft, his city, and what the hell he's doing. Come along for the ride, it's one hell of a wild one. Foxx and Cruise are great, Mark Ruffalo is more than solid in a supporting role, and there are some great little scenes in this one. One of the more underrated films of the decade in my book, and a true pleasure. It was tough for me to pick just one Mann film to include, but in the end, this one had to be the choice. If you're staying away just because you can't buy Tom Cruise as a "bad" guy, give it a shot, you won't be disappointed.



21 Pan's Labyrinth
A terrible (in the way old testament God is terrible) fairy tale for the 21st century, director Guillermo del Toro's beautiful and wonderful spanish-language fantasy scape is a true cinematic breath of fresh air. Set in the backdrop of the Spanish Civil War, one girl's fantastic escape from the horrors of her reality gives the director of Hellboy an opportunity to create a world of fairies, trolls, fauns and other creatures unlike anything else you've ever seen. The creatures and fantasy are un-nerving but strangely gorgeous, like an old growth forest, snarled with undergrowth. I'll be the first to admit that the little girl can be obnoxious, but hey, she can't help herself, she's 8, but you'll be transfixed to the screen and the true sense of wonder del Toro brings to life. It's been too long since I've sat down to the rich and rewarding experience that is Pan's Labyrinth, I'll have to do it again. At any rate, this one is rewarded for the depth of its creativity and artistry, and the overall beauty of the experience, in any language. A true masterpiece and gem.