Saturday, July 1, 2017

2017: The Year in Film: "Guardians of the Galaxy Vol. 2" Review

2014's Guardians of the Galaxy was one of the most pleasant movie surprises in years. Readers of this blog will (or should) know that I'm something of an all-around Marvel enthusiast, and the original Guardians flick was one of the absolute best that Marvel has done. Equal parts fun, heartwarming, charming, and crazy, the 2014 original raised the bar for what a comic book movie could do, in that it was just so off the rails from your typical superhero fare. It had almost a sitcom feel while mixing sci fi with classic 70's pop songs, trippy visuals, and massive action sequences. So, expectations were high for the follow-up. Would it be more of the same or represent a regression for director James Gunn, Chris Pratt, and the rest of the cast?

Following the events of Guardians of the Galaxy, our titular heroes are out there taking jobs and basking in the glow of being renowned... galaxy guardians.  In between petty squabbles and rivalries between the crew, the larger mystery of Peter Quill's parentage is hanging out there as an unresolved mystery from the first installment.

The Good: the cast is incredibly likable and they all clearly have great chemistry. If anything, this flick is even funnier than the first installment and as the universe of the Guardians expands, familiar characters are brought into the fold in ways that make the whole film all the richer for it. It's irreverent, charming, funny, and occasionally touching, and ultimately the plot is a self-contained tale about family... what's not to like? All the first film's strengths are present here, and this is absolutely the most laugh-out-loud funny of any of the Marvel movies, including the original Guardians. The cast is solid, especially Pratt and Michael Rooker, with Kurt Russell continuing his tour through summer blockbusters as Starlord's mysterious father.



The Bad: Ultimately, I think the surprise of the original film was always going to be impossible to duplicate. In making efforts to top the original, this one occasionally comes off as trying TOO hard TOO often, with Baby Groot and Drax especially crossing the line into straight up crowd pleasing territory as opposed to actual characters as both were in the original film. There's a lot to like here, but ultimately the film's disparate plots don't all work and leave the film feeling at once overstuffed and also rushed, with some story lines and characters drawing the short straw because there's just so much going on all the time. Plus, I have to say it, the music just isn't as good here. The music is such a key part to these films and this time around it feels less inspired and more forced in. It's also very weird how expanded director James Gunn's brother's role was this time... I don't like nepotism, guys.

Ultimately, if you liked the original, you're going to like this one. It's not quite as good, but still an absolute blast, and the charming cast, great visuals, and rapid-fire dialogue won't leave you disappointed. Where the original Guardians is in the discussion for the best Marvel movie of all, this one is "merely" in the top half, but still well worth watching.

8/10.

Sunday, June 25, 2017

2017: The Year in Film "Alien: Covenant" Review

The Alien franchise is, at this point, nearly as inexplicable in its survival as the Fast and Furious franchise. After 4 individual Alien films (only 2 of which are evem good - although those 2 are obviously great), 2 awful Alien v. Predator films and innumerable aborted starts, stops and would-be reboots, cinema master and director of the original Alien, Ridley Scott returned with an ambitious vision of the world that's home to the franchise with 2012's Prometheus.  While Prometheus is by no means a perfect film, it is incredibly ambitious, gorgeous, incredibly well-made, and gorgeous to look at. Michael Fassbender's performance alone is worth the cost of admission. Personally, I'm a fan of Prometheus, and even though several of the characters are inexplicably idiots, the film simply has a vision and an ambition that is sadly empty from most major studio releases, and especially sci fi.

Alien: Covenant is a direct sequel to Prometheus, and thus a prequel to the 1979 original. As Prometheus ended without revealing the classic xenomorph monster, Alien: Covenant has work to do.

It's 10 years after the exploration vessel Prometheus was lost, and humanity's first large-scale colonization mission to the stars has been undertaken to a distant world. After a fluke occurrence leads to the discovery of a mysterious distress beacon, the crew decides to investigate a seemingly hospitable world, with predictably dire consequences.

The Good: This film manages to ground the speculative ambition of Prometheus more firmly within the world of the first film, successfully bringing the story to a place where the origins of what will come to pass in the original films actually make sense within Scott's framework. Like every Ridley Scott film ever, this one is absolutely gorgeous, with top notch effects, cinematography, world-building and filmmaking across the board. Michael Fassbender is, as he was in Prometheus, far and away the best part of this film, this time playing two separate "brother" androids who drive much of the plot. English actress Katherine Waterston (I recognize her from Inherent Vice) channels her inner Ellen Ripley and Danny "Kenny Powers" McBride transitions to a serious role rather seamlessly. The plot is smarter and more sensible (if less ambitious..) than Prometheus' was, even if some of the characters yet again make inexplicable decisions. It IS a horror movie, after all.



The Bad: Billy Crudup's character (the acting captain) is a straight-up idiot. It's not even Crudup's fault, although his performance isn't going to win him any forgiveness here, as it's fine but not great, but the decisions of his character are throughout stupid at best. The film is occasionally clumsy and obtuse in its efforts to link it with the original film, with many, many explicit homages throughout. That's not necessarily a bad thing, but I think the film could have been more subtle about it, as "Alien" IS right there in the title after all. I think, even though it's absolutely a good thing that the series has become more grounded in the world of the original film, that abandoning a good chunk of Prometheus' ambition and speculative vision are a mistake, even if this film is ultimately satisfying, I think it could have potentially said even more than it ultimately did.

In all, if you're a fan of Alien, Aliens, Prometheus, or the franchise as a whole, you won't want to miss this one. A talented cast, gorgeous filmmaking, fun world-building and creepy space horror all combine to make a successful film that stands among the best sci fi films of recent years. I'm a little disappointed that it didn't build more on what Prometheus had suggested, albeit in a more sensible way, but ultimately Michael Fassbender and Ridley Scott make a pair that fans of the genre won't want to miss.

8/10.