Thursday, March 2, 2017

2017: The Year in Film: Logan Review

So Fox's X-Men franchise - which is somehow still going relatively uninterrupted 17 years after the first film, which is totally cheesy in retrospect but also pretty much sparked the current superhero trend, has totally been a mixed bag. By my count there's Deadpool, which is awesome obviously, there are 3 very good films (X2, First Class and Days of Future Past), 3 mediocre to meh films (X-Men, The Wolverine, and X-Men: Apocalypse), and 2 straight up garbage toilet water films. (X-Men: The Last Stand, and X-Men Origins: Wolverine) So just a bizarre series in that it's lasted forever, is still somehow going, and definitely ended at one point only to get completely rebooted and then folded into the pre-existing continuity because everyone at Fox is on bath salts. Hugh Jackman has played Wolverine 8 times over 17 years counting Logan! That's insane!  By all accounts, this is his final time playing Wolverine (and Patrick Stewart's final as Professor Xavier as well), and the now-classic characters are sent off with a bang.

Of all the ups and downs of the X-Men films - Hugh Jackman has consistently been one of the best parts. A lanky singing, dancing Australian dude shouldn't be able to pull off Wolverine - but he does, and he's done it with gusto for a long time now. Even though the films themselves may not be the best no one can doubt Jackman's commitment to the role and his appreciation for the character. Enter: Logan. It's 2029 and the X-Men are no more. An older and worse for wear Wolverine has hung up the claws so to speak and spends his days working menial jobs and trying to stay under the radar. When a mysterious woman and a young girl suddenly appear - Logan finds himself drawn back in to a world he thought he'd left behind.

The Good: Jackman, as always, kills it. This version of Wolverine is older, slower, sadder and more nihilistic and melancholy, and that makes for a more compelling character than the indestructible killing machine of the earlier films. After the success of Deadpool, the decision was made to make Logan an R-rated film, and that was the best decision anyone associated with this film could have made. As a longtime X-Men fan, let me assure you that Wolverine is an R-rated character. He straight up murders people constantly in a way that your more classic superhero characters do not. This R-rating allows for a darkness and gravitas to seep into the film that simply wouldn't have been present with a PG-13 rating. It allows Jackman to really delve into the character and allows writer/director Mangold, and the rest of the cast to really insert themselves into a violent, quasi-dystopian world filled with dangerous people and plenty of blood. The best way I can describe this film is Clint Eastwood meets superheroes. It almost has an Unforgiven feel, where a fading gunslinger has one last ride in him. Mangold's screenplay is dark, bitterly funny, and touching where it needs to be, as Logan finds himself tasked with protecting a young girl who he's more connected to than he ever could have thought. The film is set in the future, and does a great job of trusting the audience to catch up with what may have happened in the interim. The characters don't dwell on the past or fill in questions with clunky exposition any more than absolutely necessary, and I appreciate that the film trusted its viewers enough to let them fill in the blanks. Jackman really sends Logan out with a bang here, turning in a bitterly melancholy performance and elevating the film to a place where X-Men films have never been before. Wolverine is a much more compelling character in a reduced state, and Jackman revels in the character's limitations. Patrick Stewart is great as well as an elderly, much reduced Professor Xavier, and newcomer Dafne Keen rises to the occasion as the mysterious Laura.



The Bad: this is going to sound lame, but bear with me. I've ALWAYS had a problem with the fight choreography in the X-Men films and the way they use Wolverine in particular. When you juxtapose the way Wolverine moves and fights with the way that say... Captain America moves and fights in Winter Soldier or Civil War and it's cheesy, slow, clunky and too dependent on wires and the like. The action sequences, even though they are terrific, lack a certain pop.  Additionally - the villain was a little disappointing. In a roster of villains as deep as the X-Men's and Wolverine's I feel that the choice was uninspired. Ultimately, these are relatively minor gripes with an extremely strong film.

In all, Logan is dark, violent, bitterly funny, masculine as hell, and more than a little touching. Jackman and Stewart have great chemistry, and Dafne Keen turns in a great performance sharing so much screentime with such talented actors. The film has the sentimentality and spirit of a western with the action chops of a modern superhero flick - it's not a combo that I knew I ever wanted to see but damned if it isn't pretty great. Yet again superhero flicks demonstrate their versatility - as the best western I've seen in years turned out to be a Wolverine flick. If this really is the last time that Jackman will be playing Wolverine - he gave the character a hell of a send off.

This is the best X-Men film by a pretty sizable margin.

8.5/10

Monday, February 27, 2017

2017: the Year in Film: "Get Out" Review

So it's no mystery to anyone who's ever read this blog that I'm not exactly a big horror movie fan. I don't think I've loved a horror film since Cabin in the Woods. (So maybe I only like horror movies with Bradley Whitford/Josh Lyman in them?) I'll get down with a thriller any day of the week - but the trappings of the horror genre generally strike me as manipulative and cliche. But the word on the street about Get Out was such that I felt like I needed to give it a chance. Plus, I'm a Jordan Peele fan - so why not?

Get Out features Chris (Daniel Kaluuya - memorable to me as Emily Blunt's partner in Sicario and the Fifteen Million Credits episode of Black Mirror), a talented photographer living in New York City, and his girlfriend Rose (Allison Williams - also known as the 2nd most obnoxious character on Girls) as they are heading up her parents' home (played memorably by Bradley Whitford and Catherine Keener) for the weekend. It's clear that something is amiss - but is it due to the awkwardness of a black guy meeting a white girl's parents in the country, or something more nefarious?

The Good: this film is incredibly smartly written. There's simply no wasted space here. Everything included is there for a reason, and the racial commentary is biting in the absolute best way. Somehow at once sending up race relations and attitudes and creating a smart, scary and effective horror/thriller film is a serious feat. Jordan Peele of Key and Peele fame wrote and directed this film - and it's quite the achievement. I'm not sure that I've seen something quite this smart and biting in a long time.  The best way I can think of to describe it is equal parts Chappelle's Show, Black Mirror, and horror film. Incredibly creative, smart and well done, this is a film well worth watching, even if you aren't a horror fan. I won't get into too many spoilers, but the most effective thing the film does is cast everyday awkward racial interactions as simultaneously cringeworthy awkwardness and signs of nefarious horror-style threats. Kaluuya is great. He gave one of the more memorable performances in all of Black Mirror's run, and he carries this film, bringing just the right mix of charm and skeptical humor to an absurd situation. Allison Williams is very good, as are Whitford and Keener, but the scene stealer is LilRel Howery, as Chris' best friend Rod/comic relief.



The Bad: above I described the film as equal parts Chappelle's Show, Black Mirror and horror film, and that's ultimately the worst thing about the film. Despite how creative and smart it is, it ultimately feels familiar and derivative. It seems to be missing a next level that could have potentially carried it over into GREAT status. Don't get me wrong, this film is an absolute blast and incredibly layered and memorable.

Honestly - maybe don't watch that trailer. It's a little spoiler-y, and maybe you're better off just watching the film. Trust me, you won't regret it. It's a brilliant recasting of race relations and one of the smartest pieces of media I've seen in quite some time. Congrats to Jordan Peele - I look forward to seeing what's next.

8/10